Distributor:  Global Environmental Justice
Length:  88 minutes
Date:  2005
Genre:  Expository
Language:  English
Color/BW:  Color
Closed captioning available
Interactive transcript available

Curator

Curator imageAmity Doolittle, Senior Lecturer and Research Scientist, Yale School of Forestry and Environmental Studies

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Homeland

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The stories of five remarkable Native American activists in four communities who are fighting to protect Indian lands against disastrous environmental hazards, preserving their sovereignty and ensuring the cultural survival of their peoples.

Homeland

Curator and writers

This film was selected by Amity Doolittle, senior lecturer and research scientist at the Yale School of Forestry and Environmental Studies.

The guide was written by Caleb Northrop and Liz Felker, graduate students at the Yale School of Forestry and Environmental Studies.


Why we chose this film

This film is told from the perspective of individuals and communities who have been affected by environmental injustices. Because it’s not an outside analysis, it allows for lived experiences to be described in personal and culturally important ways. While the film highlights the fact that indigenous groups are consistently facing multiple types of environmental hazards that threaten their land, sovereignty, and cultures, Homeland also provides hope. It shows that power resides in these communities. Through careful organizing, creative tactics, and a deep connection to and relationship with nature, even small groups and communities can put up a fight against powerful state and corporate forces to demand environmental justice.


Teacher's guide
    

Please see the teacher's guide for maps, background information and suggested subjects, questions and activities.


Synopsis

* Gail Small, an attorney from the Northern Cheyenne nation in Montana, is leading the fight to protect the Cheyenne homeland from 75,000 proposed methane gas wells that pollute the water and threaten to make much of the reservation unsuitable for farming or ranching.

* Evon Peter is the former chief of an isolated Alaska community of Gwich'in people who are working against current efforts to drill for oil in the Arctic National Wildlife Refuge.

* Mitchell and Rita Capitan founded an organization of Eastern Navajo people in New Mexico whose only source of drinking water is threatened by proposed uranium mining.

* Barry Dana, the former chief of the Penobscot Nation in Maine, is battling state government and the paper companies that have left his people unable to fish or swim in or harvest medicinal plants from the river on which they have depended for 10,000 years.

In the midst of these struggles the particpants in homeland mange to present a vision of how people around the world can turn around the destructive policies of thoughtless resource plundering and create a new paradigm in which people can live healthier lives with greater understanding of, and respect for, the planet and all of its inhabitants.


The environmental justice focus of the film

As these four stories demonstrate, environmental justice is multifaceted: it includes distributive justice, recognition justice, procedural justice, and compensatory justice. In each story, corporations are profiting from resource extraction at a substantial cost to the environment and to the Native American communities. In each case, federal and state governments have prioritized profit over environmental health and the ultimate survival of these Native American communities. But in each case, the communities have proven to be a wellspring of strength and resistance.

"There's ample evidence to suggest that [tribal peoples'] causes are anything but hopeless, and despite daunting odds, there's undeniable unity and nobility among the Native American groups who are profiled. Recommended." -Video Librarian “Beautifully crafted. Stunning.” – VARIETY

"Homeland is a poignant and powerful portrait of how corporate power and government complicity are ruining our precious land,air, water. It is a troubling film, but also inspiring, because it shows Indians, who are the best guardians of the natural environment, fighting back against great odds, and refusing to give up." -- Howard Zinn, "A People's History of the United States"

"Elegant... finds and celebrates the vibrant spiritual bonds that unite its central characters... Astonishingly good cinematography." -- David Templeton, The Bohemian. "Homeland... represents the very best in documentaries being produced in the US today.” -- Berkeley Video & Film Festival

"A compelling, in-depth look at the environmental pressures that Native American reservations across the country are currently facing." -- Jenny Shank, New West Magazine


Awards

Audience Award for Best Documentary Santa Barbara International Film Festival February 2005 Social Justice Award Santa Barbara International Film Festival February 2005 Indian Summer Film & Video Image Award of Excellence for Documentary Feature August, 2005 EarthVision Environmental Activism and Social Justice Award August 2005. Grand Teton Award (Best of Festival) Jackson Hole Wildlife Film Festival September 2005 Best Environmental Film Jackson Hole Wildlife Film Festival September 2005 Nominee International Documentary Association Pare Lorentz Award September 2005 Chris Award (Highest Rating) Columbus International Film and Video Festival September 2005 Grand Festival Award of Excellence Berkeley Video & Film Festival October 2005 Cine Golden Eagle Award December 2005 Spirit of Activism Award Wild & Scenic Film Festival January 2006 Best Native American Voices Award (Documentary) Fargo Film Festival February 2006

Citation

Main credits

Grossman, Roberta (film director)
Grossman, Roberta (film producer)
Forester, Smokey (film producer)

Other credits

Director of photography, Dyanna Taylor; film editors, Vivien Hillgrove, Blake West; composer, Todd Boekelheide.


Distributor credits

Lisa B. Thomas, Smokey Forester and The Katahdin Foundation

Roberta Grossman

Directed by Roberta Grossman
Produced by The Katahdin Foundation
Executive Producer: Lisa B. Thomas
Director of Photography: Dyanna Taylor
Editors: Vivien Hillgrove, Blake West
Music:Todd Boekelheide
Co-Producer: Smokey Forester

Docuseek2 subjects

Environmental Justice
History
Anthropology and Archaeology
Politics and Political Science
Geography
Ethnography
Toxic Chemicals
Environmental Health
Bioregions and Habitat
Toxic Waste
Government Policy
Capitalism
Citizenship, Social Movements and Activism
Human Rights
Race and Racism
Global / International Studies
Indigenous Studies
Environmental Education
Environmentalists
Habitat Destruction
Pollution
Water
Ethics
Colonialism
United States
Environmental Geography
Rivers and Lakes
Gender Studies

Distributor subjects

Activism
Anthropology
Development
Environmental Geography
Environmental Justice
Gender Studies
Globalization
Government
Health and Health Care
History
Human Rights
Indigenous Studies
Mining
North American Studies
Public Health
Social Movements
Sustainability
Toxic Chemicals
Toxic waste
United States
Youth and Family

Keywords

Native Americans, indigenous,activists, preserving land, sovereignty, culture, reservations, mulitinational energy companies, mineral wealth, toxins, Gail Small, Northern Cheyenne, Montana, methane gas wells, Evon Peter, Alaska, Gwichin, oil drilling, Arctic National Wildlife Refuge, ANWR, Mitchell and Rita Capitan, Eastern Navajo, New Mexico, uranium mining, Barry Dana, Penobscot Nation, Maine, paper companies, Winona LaDuke, resource extraction, new paradigm,"Homeland",Bullfrog Films; "Homeland"; Global Environmental Justice,TESTKEY; WOMEN; GENDER;

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